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15,000 GBP
0 Bid(s)
1
0 GBP
GBP
4,000 - 6,000 GBP
Live auction
Lot closed
Lot location
Banbury, Oxfordshire

Edward Bawden (1903-1989) (ARR), February, 2pm, 1936, signed and dated 1936 lower right, watercolour, 45 x 57cm. In original sycamore frame. We are very grateful to James Russell, lecturer and author for the Mainstone Press, for the following write up on this painting. `February, 2pm 1936` is one of the most important of Edward Bawden`s critically-acclaimed pre-war watercolours, a technically accomplished painting with great personal significance to the artist. The title tells us the time and date but not the place, which is the garden of Brick House, where Bawden lived with his wife Charlotte, (nee Epton, a talented potter) and children Joanna and Richard (both of whom became artists), seen from the roof. From this vantage point we see just below us a white trelliswork gazebo, which had been given to the Bawdens as a wedding present by Eric and Tirzah Ravilious. It appears in paintings by both Ravilious and Bawden, reminding us of the fact that the two friends and their wives lived all together at Brick House for several years in the early 1930s. As students at the Royal College of Art in the early 1920s Bawden and Ravilious had been encouraged by Paul Nash to explore watercolour, then a medium undergoing a major revival and they did so with enthusiasm. So seriously did they take their painting, that in 1930 they hunted down a weekend retreat, touring north-west Essex by bicycle and eventually finding their way to the village of Great Bardfield, where they managed to rent half of Brick House from its owner, a retired stewardess from an ocean liner. On Bawden`s marriage his father bought the whole place and so the art colony of Great Bardfield was born. A host of distinguished artists came and went during Bawden`s lifetime and the artist found endless inspiration for paintings, linocuts and drawings in and around the house and garden. This particular painting was exhibited in his second solo exhibition at the Zwemmer Gallery, London, in 1937. His 1933 show had been well-received with The Times noting that his work was `all paint, all edge, all sharpness` and the second exhibition was if anything even better. The distinguished critic Eric Newton approved particularly of Bawden`s modern watercolour technique, which he described as `dry and worried and patchy` and we can see in this painting the artist`s restless energy. Rarely did he apply himself with such vigour to a painting. The strong, meaty red of the wall is scratched and distressed, as is the whole surface of the picture, suggesting that the winter weather was less than clement. Bawden and Ravilious were highly competitive, each striving to endure greater discomforts and more challenging working conditions than the other. Here, Bawden has excelled himself. The picture is one of few reproduced in colour in the `Penguin Modern Painters` book on Bawden, published in 1946 with an essay by J.M. Richards. James Russell, July 2014. www.jamesrussellontheweb.blogspot.co.uk www.themainstonepress.com

Fine Art and Antiques | Arms, Armour & Medals Vintage Cars & Motorcycles
Live
Venue address
Cotefield Auction Rooms
Oxford Road
Banbury, Oxfordshire
OX15 4AQ
United Kingdom
Fine Art and Antiques | Arms, Armour & Medals Vintage Cars & Motorcycles

Auction dates
27 Sep 2014 09:00 BST
Viewing dates
26 Sep 2014 09:00 - 19:00 BST
27 Sep 2014 08:30 - 08:30 BST
Auction currency
GBP
Accepted cards

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